I’m overjoyed to welcome Kimberly Duffy to the blog today! She shares what drew her to writing historical fiction, how struggles with grief and doubt wove their way into her stories, and what’s in store for her next book, Every Word Unsaid!
This interview was such a delight, and I hope you enjoy!
Grief and doubt are topics we often dance around, but you confront them with a remarkable honesty and courage. What led you to address both in A Tapestry of Light?
I have always struggled with fear. Some of my earliest memories are of OCD flares (which I was diagnosed with post-partum after my second child was born) and I can’t think of anything that scares me more than losing a loved one. As a reader and writer, I process through story. Through imagination and words. As someone who suffers with OCD, it is nearly impossible for me to turn those thoughts off. They are relentless, coming at me with a ferocity that sometimes has me paralyzed. They are graphic and disturbing. And for brief moments, when my breath is coming short and shallow and my heart is twisting, I think, “How would I survive this if it was more than intrusive thoughts?”
So I pour it all out in my stories. I live vicariously through my characters. I watch them suffer and struggle and, ultimately, discover they can survive. And that offers me a bit of hope. We’re resilient. We’re created for more than this place, these bodies, even the love we’ve discovered here.
And doubt…it’s something I’ve struggled with for about a decade. I have no idea where it came from. No idea what triggered it. My faith walk is split into the before and after—before, when I was certain of everything I’d been taught, and after, when nothing was as it should be. I deconstructed—that’s a buzzy word. Deconstruction. Thankfully, I didn’t wallow in the shards of my shattered faith. I cut myself loose of all the extraneous stuff that had nothing to do with Christ. Like Ottilie, I protected that fragile, single seed. And every time I found myself doubting, questioning, I said, “Lord, I believe. Help my unbelief.” It was enough. For YEARS. And then I began reading through the Bible. I filled myself with the word. I read apologists and great minds like CS Lewis and Chesterton. And eventually, the doubt began to flicker. It didn’t completely extinguish—every once in a while it is fed a little bit of oxygen—but mostly it leaves me alone.
Unfortunately, I felt very alone the entire time of my struggle. No one was talking about it. No one was addressing it. It was dismissed. And I don’t want any other Christian who struggles with it to feel as though they have no one walking beside them.
What first drew you to writing historical fiction?
I love history. I spent six months in tenth grade digging deep into the ancient Etruscans. Another six months in Ancient Rome. A good part of my 11th grade year researching everything I could on the Civil War. Most days, I shoved aside my history textbooks in favor of historical narratives, autobiographies, classic literature (I never studied a moment for any of my history exams yet I got a nearly perfect score on the AP test. I’m a big believer in learning history through what Charlotte Mason called “living books”.) I spent a bit of time scared of writing historical fiction—choosing instead to write contemporary romance—but my love for it eventually won out and from the moment I typed the first line of A Mosaic of Wings, I didn’t look back (or forward?)
I love that people don’t really change. The same things we want and struggle with today are the same things they wanted and struggled with a hundred years ago. Human nature is fairly constant and, as a woman and mother of three girls, I’m fascinated by the amazing things women achieved in times when it was nearly impossible to step outside expected social norms and carve a path for themselves.
Historical fiction is an extremely popular genre. What do you think gives historical figures and events such a unique ability to speak into our present-day experiences?
I think there’s a comforting kind of familiarity that’s tempered with enough differences—enough years—to give us a bit of distance. It’s like seeing someone you know in the same stage of life dealing with something adjacent to your own personal struggles. It’s not exactly the same so you can comfort yourself by saying, “Well, that’s not happening, at least” but it’s close enough that you can watch and see how they handle it. Learn from their experience.
The descriptions in your novels are so stunning. What helps or inspires you when trying to bring a certain location or period to life for readers?
Thank you! I work hard to immerse my readers in every scene. I want them to feel and taste and see and hear everything my characters do. I’m lucky that I write during a time when photography was becoming more widely available and there are a ton of photographs available online. Especially when I was researching for Tapestry, there were so many of Kolkata during the 1880s-90s. I could see the streets, houses, fashions. I spend a lot of time collecting images in Pinterest boards and searching them for any detail I can add that will lend an engaging sensory detail to my stories. I also read a lot written during the time I’m writing. There’s no contemporary essay or article or book that can replace the authenticity of actual personal accounts.
What are you currently reading? Do you have certain books that you’re always recommending?
Currently I’m reading two nonfiction health books (I’m usually reading a health book of some sort) and trying to work through my TBR. I got super behind while I was on deadline. I just finished The Book of Lost Names by Kristin Harmel which was fantastic. I started The Gentleman Spy by Erica Vetsch (her books are always very engaging) yesterday and am planning on finishing up doing a read aloud of The Hiding Place with my older two girls soon. I can’t say there’s any particular book I recommend all the time because it just depends on who is reading and what they enjoy.
Can you share any details with us about your next book?
I’d love to! Every Word Unsaid releases November 2, 2021 and it’s about Gussie Travers—globetrotting, adventure seeking, unintentional trouble making photographer who, through no fault of her own, creates a scandal and escapes to Poona, India—landing right in the middle of a bubonic plague epidemic. There’s an adorably geeky doctor hero, fun scenes set in some of India’s most beautiful cities, and a heroine who, no matter how hard she tries, can’t seem to escape the reach of the words that chase her.
Thank you so much, Kimberly, for doing this interview and offering such thoughtful, heartfelt answers!
A Tapestry of Light is available on Amazon, Bookshop, and other booksellers!
Be sure to also check out Kimberly’s stunning debut novel, A Mosaic of Wings. It will always be one of my favorite stories!
You can connect with Kimberly on her website, Instagram, or Facebook!
Once you’ve read (and fallen in love with) the stories, be sure to leave a review on Goodreads. Reviews are one of the best and easiest ways to help the authors we love!
Next week, it’s time for a marvelous adventure! I’ll be sharing my review and an excerpt from Hoover’s Horn, a children’s book by another favorite author of mine, Erica Richardson!
One thought on “An Interview With Kimberly Duffy”
I think that’s exactly why I love historical fiction. And I love immersive settings.